06 February 2017

Professor Leacock Sets the Stage



Behind the Beyond
     and Other Contributions to Human Knowledge
Stephen Leacock
Toronto: Bell & Cockburn, 1913

Early Leacock is the best Leacock, and this one is very early indeed. His fourth book of humour in as many years, it falls between his finest, Sunshine Sketches of a Little Town and Arcadian Adventures of the Idle Rich, and establishes a format repeated in many of the collections that followed: a relatively long opening piece, followed by gatherings of shorter writings.

The long piece here, "Behind the Beyond", takes the form of a running commentary on an evening at the theatre. The drama performed – untitled – is of Leacock's own imagination: Sir John Trevor, MP, is a man with much responsibility, troubled by serious matters in the House of Commons. A quarter-century his junior, his wife is never so concerned and, as soon becomes apparent, has found escape in the arms of Sir John's ineffectual secretary, young Jack Harding:
"Do you remember, Jack, when first you came, in Italy, that night, at Amalfi, when we sat on the piazza of the palazzo?"
     She is looking rapturously into his face.
     Mr. Harding says that he does.
     "And that day at Fiesole among the orange trees, and at Pisa and the Capello de Terisa and the Mona Lisa. Oh, Jack, take me away from all this; take me to the Riviera among the contadini, where we can stand together with my head on your shoulder just as we did in the Duomo at Milano, or on the piaggia at Verona. Take me to Corfu, to the Cappo Santo, to Civita Vecchia, to Para Noia, anywhere —"
     Mr. Harding, smothered with her kisses, says, "My dearest, I will, I will."
     Any man in the audience would do as much. They'd take her to Honolulu.
Leacock's is a "problem play". The term is no longer used, but the situation at the heart of it all will be familiar to today's reader. These eyes have seen something of it in Edith Wharton, Henry James and select episodes of The Edge of Night from my childhood.


The Edge of Night is no more, and humour ages poorly. Not everything in Behind the Beyond works today. "With the Photographer", is not so much funny as it is an interesting glimpse at a time gone by:
The photographer rolled a machine into the middle of the room and crawled into it from behind.
     He was only in a second – just time enough for one look at me – and then he was out again, tearing at the cotton sheet and the window panes with a hooked stick, apparently frantic for light and air.
     Then he crawled back into the machine again and drew a little black cloth over himself. This time he was very quiet in there. I knew that he was praying and I kept still.
     When the photographer came out at last, he looked very grave and shook his head.
     "The face is quite wrong," he said.
     "I know," I answered quietly, "I have always known it."
That said, the five pieces collected under the title "Parisian Pastimes" seem barely to have aged at all. Here's Leacock on the French child:
The child, I was saying, wears about two hundred dollars worth of visible clothing upon it; and I believe that if you were to take it up by its ten-dollar slipper and hold it upside down, you would see about fifty dollars more. The French child has been converted into an elaborately dressed doll. It is altogether a thing of show, an appendage of its fashionably dressed mother, with frock and parasol to match. It is no longer a child, but a living toy or plaything.
     Even on these terms the child is not a success. It has a rival who is rapidly beating it off the ground. This is the Parisian dog. As an implement of fashion, as a set-off to the fair sex, as the recipient of ecstatic kisses and ravishing hugs, the Parisian dog can give the child forty points in a hundred and win out. It can dress better, look more intelligent, behave better, bark better – in fact, the child is simply not in it.
The final piece, "Homer and Humbug – An Academic Suggestion", should be considered one of Leacock's greatest hits. I don't often laugh when reading – Fran Leibowitz, who I think is funnier than just about anyone, leaves me silent – but I did at this:
An ancient friend of mine, a clergyman, tells me that in Hesiod he finds a peculiar grace that he doesn't find elsewhere. He's a liar. That's all. Another man, in politics and in the legislature, tells me that every night before going to bed he reads over a page or two of Thucydides to keep his mind fresh. Either he never goes to bed or he's a liar. Doubly so: no one could read Greek at that frantic rate: and anyway his mind isn't fresh. How could it be? he's in the legislature. I don't object to this man talking freely of the classics, but he ought to keep it for the voters. My own opinion is that before he goes to bed he takes whisky: why call it Thucydides?
Why indeed?

I first read Behind the Beyond on the plane that carried me from my Montreal home to a new one in Vancouver. This was in the mid-nineties. I didn't read Leacock again until late last spring, when I picked up The Hohenzollerns in America. I resolved then and there to never let another year go by without Leacock. I'm sure I'll read him again before the year is up. These dark, dark days I appreciate him more than ever.

Fran Leibowitz, too.

Preferred over Hesiod and Thucydides.

Note: After writing this piece, I read Silver Donald Cameron's Introduction to my old New Canadian Library edition only to find that he'd made a couple of the very same observations.

What can I say?

Great minds think alike.

Fools seldom differ.

Trivia: In 1932, Gowans and Gray published a stage adaptation of "Behind the Beyond" by V.C. Clinton-Braddeley. I include an image of same, along this link to the booksellers, in the hope that some librarian somewhere will consider purchase. As it stands, just three Canadian libraries hold copies; Library and Archives Canada does not.


Leacock biographer Ralph L. Currie informs that the BBC broadcast a televised performance in 1937!

Object: A very attractive hardcover with crimson boards and gold embossing. The print is large. Though the text doesn't amount to 200 pages, thick paper provides bulk, as do the decorations and sixteen plates featuring illustrations by A.H. Fish. My jacketless copy, a first Canadian edition, was purchased in 1989 at the annual McGill Book Fair, a hop, skip and a jump away from the university's Leacock Building. Price: $2.00.


It looks to have once been a gift purchased from Quebec City bookseller H.F. Kimball.

Access: Our public libraries fail entirely. How can that be? As might be expected, the academic libraries come through... but not that of McGill University. How can that be?

Behind the Beyond did well in its day with editions in England and the United States enjoying several printings. In Canada, S.B. Gundy took over after Bell & Cockburn went bankrupt. The book joined the New Canadian Library in 1969, only to fall in the post-Ross purge of the 'eighties. It has been out of print ever since. Happily, it can be read here - gratis - courtesy of the Internet archive.

People preferring paper – I'm one – will be happy to learn that the used copies listed online are cheap.  Prices range from US$2.00 (a fourth printing of the NCL edition) to US$350 (a 1917 American reprint inscribed by the author). The latter is preferred, of course, but who has that kind of money?


Related post:

22 January 2017

The Dusty Bookcase in August



Today marks the ninth anniversary of The Dusty Bookcase, a good day to recognize what the sharp-eyed have already spotted. This coming August will see publication of The Dusty Bookcase: A Journey Through Canada's Forgotten, Neglected and Suppressed Writing, a collection of new essays and newly revised writing from this blog and my regular column in Canadian Notes & Queries. I'm proud to say that the publisher is none other than Biblioasis, which provides this fine description:
Largely drawn from his columns for Canadian Notes & Queries and entries in his popular blog by the same name, Brian Busby’s The Dusty Bookcase explores the fascinating world of Canada’s lesser-known literary efforts: works that suffered censorship, critical neglect, or brilliant yet fleeting notoriety. These rare and quirky totems of Canadiana, collected over the last three decades, form a travel diary of sorts – yet one without maps. Covering more than 250 books, peppered with observations on the writing and publishing scenes, Busby’s work explores our cultural past, questioning why certain works are celebrated and others ignored. Brilliantly illustrated with covers and ephemera related to the titles discussed, The Dusty Bookcase draws much needed attention to unknown writing worthy of our attention, and some of our acclaim.
I'd like to thank publisher Dan Wells and editor Emily Donaldson for their faith in this collection. I'd also like to thank the many readers, writers and booksellers who have shared my enthusiasm during this eight-year journey without maps. Rest assured, it will continue.

How could it not?

16 January 2017

A Quiet, Mildly Depressing Depression-Era Debut



John
Irene Baird
Philadelphia/Toronto: Lippincott, 1937

A first novel, the discovery that this copy is a fourth impression surprised me no end. I knew Irene Baird for Waste Heritage – once part of the Laurentian Library – but John meant nothing to me. And yet, in the excellent Introduction to the current University of Ottawa Press edition of the former Colin Hill informs that John was an international bestseller. The Lippincott was followed by other editions in the UK and Australia, leading me to think that – eight decades later – John continues to hold title as Baird's best selling book.

The Globe & Mail
5 November 1937
No pun intended.

I don't quite understand its popularity because this sort of novel has never appealed to me. John takes place in rural British Columbia, but this city boy has never been much interested in stories with country settings. I also don't care much for novels in which nothing really happens. Huysmans' À Rebours is not for me. Even Baird's title – my middle name – is a bit of a bore.

John is John Dorey, a perfectly nice Englishman who passes up partnership in the family woollen mills for a simple life on the BC coast. He purchases ten acres, clears same, and farms; for a time, he delivers the rural mail. John has a horse that is killed by a nasty neighbour, though nothing of significance results from the crime. A developer makes an offer  for his land, but this is rejected. The most significant event in John's life is a fleeting encounter with a younger married woman. John falls for her, though not so much as a kiss is exchanged.

John is a character study. The man under examination is, as I say, perfectly nice; I'd want him is a neighbour, but would never think to invite him over. John is given to philosophizing. At the urging of his closest friend, the local doctor, he tries his hand at putting his thoughts down on paper:
Book-writing didn't come like the knack of judging a good horse, or training a fine dog till she all but spoke her thoughts. Ideas were not tangible like soil, to pick up and weigh between the fingers. It was a will-o'-the-wispbusiness, writing – though it was strange, too, from the look of their pictures, what unlikely people excelled at it!
It's a fine book – Baird's, not John's – but it isn't for me. That said, I do recommend it to anyone who might enjoy this passage:
An eagle, far up, planed serenely by, bent on its eyrie. From the cedar close to the house, an owl awakened – tuk–tuk–tuk-tuk-tuk-tuk— Who knew how many were its notes? Another owl fro the bush on the opposite side of the road answered: the first of ghostly night messages. The frogs would join in before long.
     He yawned deeply. There was nothing like the sublime afterglow of bodily fatigue. Even the mind refused to disturb a body so perfectly spent.
Again, this is not for me, though I can almost sense the attraction.

Singing frogs might have helped.


Bloomer:
"It's a wonder to me you never married. You're a queer chap."
     John flushed.
Dedication:


Lord Tweedsmuir, of course, being Buchan. John Buchan.

Object: A well-constructed 235-page hardcover bound in brown cloth. My copy, which once belonged to a woman named Anne Marshall, was rescued four years ago from books left unsold at the end of our local public library book sale. It lacks the rather busy, uninteresting dust jacket.

Access: The Lippincott was followed by British (Collins, 1937) and Australian (Angus & Robertson, 1938) editions. A Swedish translation, also titled John, was published in 1938 by Medén.

Held by most Canadian university libraries. Bibliothèque et Archives nationales du Québec stands alone amongst those serving the public.

A dozen copies are listed for sale online. At eight dollars, the cheapest, a "Good" Lippincott copy, is described thusly: "May not look good on your bookcase after reading and probably not suitable as a present unless hard to find elsewhere." Hmm...

The best of the lot is an inscribed Lippincott first. Price: C$55. Suitable as a present, I suggest.

02 January 2017

The Trudeau Papers: Bang!



The Trudeau Papers
Ian Adams
Toronto: McClelland & Stewart, 1971
Thucydides wrote that Themistocles' greatness lay in the fact that he realized Athens was not immortal. I think we have to realize that Canada is not immortal; but, if it is going to go, let it go with a bang rather than a whimper. 
— Pierre Elliott Trudeau, 30 March 1988
Beginning our sesquicentennial year with a novel imaging Canada's demise might be an odd choice were it not for the deafening roar heard from south of our border. How long before the first major fuck-up of the Trump presidency? I'm betting on this month.

The fuck-up described in this debut novel is monumental. The CIA manages to recruit a brilliant Red Army computer analyst, tasks him with testing the security of the Soviet's "fail-safe computer firing program", and then forgets he ever existed.

Bureaucracy is to blame, which isn't to say that there aren't benefits to be had.


Two SS-9s head for American bases in Montana and North Dakota, and the Soviets can do nothing to stop them. Their Premier alerts the President of the United States of the situation, but is unable to convince him that it is all a mistake. Fortunately, Trump the President knows nothing of the Bible and so cannot recall the quotation used in the nuclear code ("Unto God would I commit my cause." – Job 5:8). Unfortunately – for Canada – the U.S. Strategic Missile Command manages to intercept both missiles, resulting in nuclear explosions above Edmonton and southern Saskatchewan.

One million people die.

Within two weeks, the number triples. It grows exponentially as children succumb to leukaemia, their elders shed skin and hair, and Canadians of all ages are sprayed repeatedly with Agent Orange.

After the Prime Minister's plane goes down on a return flight from Washington, the United States takes advantage of misplaced Soviet guilt. Its military moves north on the pretence of securing American-owned industry, while right-wing vigilantes with ties to the CIA take to the streets. Bookstore owners are beaten, and left-leaning student leaders are strung up on the rafters of Varsity Stadium.

Were it not so dense, I'd consider this 108-page "Novel by Ian Adams" a novella; were it not so complex, I might be dismissive. The Trudeau Papers is a remarkable and unusual novel. Its title is explained by narrator Alan Jarvis, a former journalist who has been entrusted by fellow members of the resistance to record what has happened since the two SS-9s exploded:
The name seemed to evoke a collective sense of grim irony. Personally, I think there title is unimportant, considering the enormity of what has taken place, and how much of it has been documented. The rather vague explanation for the choice was that as one of the last democratically elected prime ministers, his name symbolized the end of a nation. So be it.
The "vague explanation" works well. Jarvis himself was once a former CIA operative – and it could be that he is still. Nothing in The Trudeau Papers is cut and dry; nothing is black and white. I came to trust him, but not so much that I won't understand your distrust.

The Trudeau Papers takes place sometime after 1975... but when?

And so, on this second day of our sesquicentennial year, a new question arises: Which Trudeau?

Addendum: This post is the second – after my review of Richard Rohmer's Triad – to include the Trudeau quote above. Again, is it not incredible that we once had a prime minister who could speak about Thucydides on Themistocles?


Object and access: A slim novel in orange boards with uncredited dust-jacket, I bought my copy twenty-seven years ago at S.W. Welch in Montreal. Price: $1.00. Eighteen years earlier, this very same copy was a Christmas gift from journalist Peter C. Newman to John Payne. I'm guessing that this is the same John Payne who once served as an adviser to future PM John Turner (and not the man who starred opposite Maureen O'Hara in Miracle on 34th Street).

It appears there was no a second printing. Remarkably, there has never been a paperback edition.

Ranging at prices between US$3.48 and $17.54, eight copies are listed for sale online. Condition is not a factor.

01 January 2017

'The New Year comes white-winged, unstained, a star...'



Century-old jingoism to begin a New Year by Minnie Henrietta Bethune Hallowell Bowen (1861-1942) of Sherbrooke, Quebec, from John W. Garvin's anthology Canadian Poems of the Great War (Toronto: McClelland & Stewart, 1918). During the conflict, Mrs Bowen served as President of the Sherbrooke Patriotic Association.

THE NEW YEAR, 1917 A.D.

Canada's National Service

          The New Year comes white-winged, unstained, a star
               Loosed from God's hand across a world of night!
          What thoughts await its coming from afar?
               What deeds shall quicken in its unknown light?

          All Time is God's — to give and to withhold!
               To men the power is given to use or waste —
          To turn the passing splendour into gold,
               Lasting and beautiful — or bid it haste.

          Dearer than jewels — bought with holiest blood —
               Are these few months God-given to our hand
          By Him whose might held back the threatening flood
               There at the Marne, that we might arm and stand.

          The grey tide swells apace — the nations fall
               Before its pitiless, embracing lust!
          Here at the threshold of another year —
               Still with God's gift of time — we face our trust!

          The bells are ringing in the quivering towers —
               The chimes are calling over glistening snow.
          The year is dawning in its awful powers —
               The hours are coming and the hours must go!

          These few, small days may be the last that wait
               On our decision! Riven ears may know
          The iron thunders of approaching Fate
               That closes Mercy's door and arms the Foe.

          Dear blood, outpoured for love of God and Man,
               Has drenched the far-off altar with its red,
          And heavenly fire that through the trenches ran
               Has wrapped the lives that suffered in our stead.

          How can we give enough — since they have died?
               Since they have lived — shall we not greatly live
          And know in life or death with holy pride
               No wealth of service is too much to give?

          The Call to Service! ringing loud and clear
               Beats in the angel pinions overhead —
          Still time is given that deadened ears may hear
               Before the final word of doom is said.

          Work! for humanity's sublimest goal!
               Fight! in a cause too great to be denied!
          Hear! for the Dead are speaking to your soul!
               Wake! for God calls the Nation to His side!

Related posts:

31 December 2016

'The year is dead, for Death slays even time...'



Verse for the day from the 1935 revised edition of Our Canadian Literature, an anthology of verse selected by the poet's friends Bliss Carman and Lorne Pierce.


A Happy New Year to all!

Related posts:

27 December 2016

The Ten Best Book Buys of a Very Bad Year



An annus horribulus, the death of David Bowie ten days in cast a pall that just wouldn't lift. These have been days of loss and unwelcome surprises, and November 8 killed all hopes for a better New Year.

The evening before the American election, the great Leonard Cohen died. I'd found his Flowers for Hitler a week earlier, squeezed between neglected books in a sidewalk dollar cart. Storm clouds were just about to burst. It's a first edition, but the condition is not the best; booksellers would describe it as a "reading copy." I'm all for reading copies. Books are meant to be read, as this one clearly has. My favourite purchase of 2016, this is how I choose to remember the year... rescuing a book from the rain.

This was the year my collection of Canadian literature took over the ninth of our nine bookcases.

You always knew there was more than one dusty bookcase, right?

Foreign authors have been relegated to the attic, though some sit in the basement of the St Marys Public Library awaiting the semi-annual Book Sale. Anyone looking for a century-old set of Conrad will find themselves in luck this spring.

.

Yes, this proved a particularly good year for buying books, despite an increasingly tightening budget. Case in point: the first American edition of Hilda Wade: A Woman of Tenacity of Purpose pictured above. Typically priced comfortably in the three digits, I paid US$6.00 after winning it in an online auction. With ninety-eight illustrations by Gordon Browne, I don't exaggerate in describing it as one of the most beautiful in my collection.

What follows are the eight other favourite acquisitions. You'll note that some weren't book buys but gifts. Given my name, you'll understand that I'm drawn to alliteration.

Linnet: A Romance
Grant Allen
New York: New Amsterdam, 1900

"Allen's last substantial novel," writes biographer Peter Morton. I first learned of this work while researching my first book, Character Parts, and have been hoping to score a copy ever since. Another online auction victory, I won this first American edition for US$16.00.

Black Feather
Benge Atlee
New York: Scribners, 1939

Atlee served in the Royal Army Medical Corps during the Great War. In civilian life, he served as Chair of the Department of Obstetrics and Gynaecology at Dalhousie. His only novel, this was a gift from James Calhoun, my collaborator on the reissue of Peregrine Acland's All Else Is Folly.
Josie of Montreal
Florian Delorme
Montreal: Bodero, 1967

Despite the (implied) success of Aprés-Ski, I had no idea this fine example of "ADULT READING" existed until it was given me by author Fraser Sutherland.

Note: A volume in the Aphrodite Collection.





The Midnight Queen
Mrs May Agnes Fleming
New York: Hurst, [n.d.]

One of the three books I'm urging publishers consider returning to print, The Midnight Queen is the one of the most entertaining novels I've read since beginning this exploration. It's no small wonder that Mrs Fleming (1840-1880) was our first bestselling author. You can read my review here.
Edith Percival; Or, Her Heart or Her Hand?
May Agnes Fleming
New York: Street and Smith, [n.d.]

A later edition – perhaps the last – of Mrs Fleming's 1893 bestseller... But wait, didn't she die in 1880? Is it really hers?  This is one of five Street & Smith Flemings won for US$1.99 each on eBay. Mine were the only bids.

Legends of My People the Great Ojibway
Norval Morrisseau
Toronto: Ryerson, 1965

Bought for a dollar earlier this month at the Stratford Salvation Army Thrift Store. Signed by the artist.

A book I'll be handing down to my daughter.

Dust and Ashes
A.C. Stewart
n.p.: Published by the Author, 1910

A curious collection of verse. Regular readers will remember Stewart's "On the Drowning of a French-Canadian Laborer", which I shared this past Labour Day.

A gift from booksellers Vanessa Brown and Jason Dickson of Brown & Dickson in London, Ontario.

The Silver Poppy
Arthur Stringer
New York: Appleton, 1903

I thought I was pretty much done with collecting Stringer, but then spotted this first edition of his debut at London's Attic Books. Price: $10.

The scan doesn't do it justice.

Those poppies really shine.



Let us all work to make 2017 a better year.

I myself resolve to kick harder against the pricks.

Related posts:

21 December 2016

A 1980s Duddy Kravitz?



I Lost It All in Montreal
Donna Steinberg
New York: Avon, 1983
259 pages
This review, revisited and revised, now appears in my new book:
The Dusty Bookcase:

A Journey Through Canada's

Forgotten, Neglected, and Suppressed Writing
Available at the very best bookstores and through


Related post:

12 December 2016

The Year's Best Books in Review – A.D. 2016; Featuring Three Titles Deserving Resurrection



Still more than two weeks left in the year, but not too early for this list. Given my schedule these days, I know the book I'm reading right now will be the last finished before the ball drops in Times Square. I also know that it won't make the grade.

What's the book? I'll let that remain a mystery, though the sharp-eyed will spot it amongst other 2016 reads pictured above.

This year, I reviewed twenty-seven books – here and in the pages of Canadian Notes & Queries. That's just three more than in 2015, and yet I had a much harder time deciding on the three most deserving of a return to print. These are they:

The Midnight Queen
May Agnes Fleming

Who'd have thought this 19th-century novel of the Plague Year, would be such good fun. It's a fast-paced, crazy ride featuring a masked medium, a killer dwarf, long-lost siblings, and highwaymen and whores playing at being aristocrats. It's also quite well written.

There Are Victories
Charles Yale Harrison

An ambitious, daring novel by the man who gave us Generals Die in Bed. Set in Montreal and New York, this isn't a war novel, though it does deal with its devastating effects. Flawed, but brilliant, the novel's scarcity adds to the need for reissue.

For My Country [Pour la patrie: roman du XXe siecle]
Jules-Paul Tardivel

In this 1895 novel, Satan looks to secure his hold on the Dominion of Canada, only to be thwarted by divine intervention and something resembling a fax machine. The original French remains in print, but not this 1975 translation by Sheila Fischman.


Regular readers know that nearly every Margaret Millar I read is recommended for republication. This year, I read only one of the Grand Master's novels: Do Evil in Return. It would've made the list had it not been announced for republication as part of Syndicate Books' Complete Margaret Millar. Look for it in March.


Three books reviewed here this year are currently in print:

The Man from Glengarry
Ralph Connor [pseud. Charles W. Gordon]
Toronto: McClelland & Stewart, 2009
Olive Pratt Raynor [pseud. Grant Allen]
Peterborough, ON: Broadview, 2003
The Cashier [Alexandre Chenevert]
Gabrielle Roy [trans. Harry Binsse]
Toronto: McClelland & Stewart, 2010
I helped usher two titles back into print this year, both as part of Véhicule's Ricochet Books series:

Gambling With Fire
David Montrose
[Charles Ross Graham]

The fourth and final David Montrose novel. Here private investigator Russell Teed, hero of the first three, is replaced by the displaced Franz Loebek, a once wealthy Austrian aristocrat caught up in Montreal's illegal gambling racket.
The Keys of My Prison
Frances Shelley Wees

In the 2015 edition of the Year's Best Books in Review I made reference to a book I was hoping to revive. "If successful, it'll be back in print by this time next year," I wrote. The Keys of My Prison is that book. A novel of domestic suspense set in Toronto, it should appeal to fans of Margaret Millar...


And on that note, as might be expected, praise this year goes to New York's Syndicate Books for The Complete Margaret Millar. The Master at Her Zenith  and Legendary Novels of Suspense, the first two volumes in the seven-volume set are now housed in the bookcase. The next, The Tom Aragon Novels, is scheduled for release on the tenth of January.


Great way to start the new year.

Related posts:

05 December 2016

The Season's Best Books in Review — A.D. 1916


The Globe, 2 December 1916
The 2016 Globe 100 was published last week. As with any other, one could quibble with this year's list – whither John Metcalf's The Museum at the End of the World? – but it's really quite good. I was pleased to see Kathy Page's The Two of Us and Willem De Kooning's Paintbrush by Kerry Lee Powell. The Party Wall, Lazer Lederhendler's translation of Catherine Leroux's Mur mitoyen, was also welcome. And then there's Madeleine Thien's Do Not Say We Have Nothing, though that was pretty much a given.

An embarrassment of riches.

How far we've come.

Consider "THE SEASON'S BEST BOOKS IN REVIEW" above, published a century ago in the very same newspaper. It begins on a fairly upbeat note:
The third year of the war finds no appreciable diminution in the output of books. The demand for good reading grows apace, although publishers are in difficulties over the increased cost of production. One result of the paper shortage across the border is the growing tendency to place orders for printing and binding in Canada. The examples of workmanship recently turned out by Canadian printers show what this country may yet accomplish in the production of books.
The downer comes with the next paragraph:
Canadian fiction is still in a stagnant condition. The attractions of the American market have proved too strong as yet to admit the development of a Canadian school of novelists.
Take heart, our poets are being recognized south of the border:
In a New York publisher's circular the following appeared: "Canadians or Americans? In 'Canadian Poets and Poetry,'* an anthology collected by John Garvin and recently published by Stokes, the verse of Bliss Carman and Arthur Stringer along with that of Roberts and more generally recognized Canadians somewhat surprise the average reader who thinks these poets are native Americans. It is true, however, that Arthur Stringer's birthplace is Fredericton, New Brunswick, and his A.B. [sic] is from the university there, while Carman was born in Ontario and educated at the Universities of Toronto and Oxford."
Though the copywriter has confused Stringer and Carman – the former is the Ontario boy and Oxford man – this is just the sort of recognition that makes glowing hearts glow. The anonymous Globe reviewer – William Arthur Deacon, I'm betting – fans the flames in writing that the war has brought "a renaissance of Canadian poetry," as exemplified by Canon Scott's In the Battle Silences and Rhymes of a Red Cross Man by Robert W. Service (the lone book I own on the list).


Meanwhile, on the home front, "Canada is discovering fresh talent. Two gifted writers have attracted notice in the past year – Robert Norwood and Norah M. Holland."

Being somewhat familiar with his verse, I dismissed Robert Norwood. I couldn't do the same with Norah M. Holland because I'd never heard of her. Imagine my surprise in learning that Miss Holland, a native of Collingwood, Ontario, was a cousin of Yeats.

Spun-yarn and Spindrift
Norah M. Holland
Toronto: Dent, 1918
"THE SEASON'S BEST BOOKS IN REVIEW" features no books by Holland because she had none. The intrigued waited two years before publication of Spun-yarn and Spindrift, the first of her two collections. Even without Holland, our poets dominate the 1916 list; nine if the twenty volumes of verse listed are at least kinda Canadian:
Canadian Poets* – John Garvin, ed.
In the Battle Silences – F.G. Scott
Rhymes of a Red Cross Man – Robert W. Service
The Witch of Endor – Robert Norwood
The Watchman and Other Poems – L.M, Montgomery
Maple Leaf Men and Other War Gleanings – Rose E. Sharland
Lundy's Lane and Other Poems – Duncan Campbell Scott
Rambles of a Canadian Naturalist – S.T. Wood
The Lamp of Poor Souls and Other Poems – Marjorie Pickthall
I read nothing into the misspelling of Miss Pickthall's Christian name (nor the brevity of the review).


There are 127 best books in "THE SEASON'S BEST BOOKS IN REVIEW", thirty-six of which are Canadian. Stephen Leacock leads the very short of list of Canadian fiction with Further Foolishness. The Secret Trails by Charles G.D. Roberts, H.A. Cody's Rob of the Lost Patrol, and Marshall Saunders' The Wandering Dog follow. Though I've not read the last, I like to think it served as inspiration for The Littlest Hobo.



We writers of non-fiction aren't particularly well represented. Ten more volumes of the sketchy Chronicles of Canada series feature, as does R. Burton Deane's Mounted Police Life in Canada (a book I helped return to print – briefly – fifteen years ago). Much is made about William Boyd's With a Field Ambulance in Ypres, which I really should've read... but haven't.


Still more is made of the fact that the year saw not one but two biographies of Sir Charles Tupper.

Of course, we all remember Tupper as our sixth prime minister. He served for 59 days.

Not a single one of the Canadian books on the 1916 Globe list is in print today.

Not a single one.

* In Canada, the anthology was published as Canadian Poets (Toronto: McClelland, Goodchild & Stewart, 1916).

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